No wonder, after seeing the film, comparisons with the Fight Club. But in their development are almost radically different from an idea like the mediocre man who self-atoning to have full control over your life. Wanted, the film uses the argument to the service of a festival climax that defy physical laws adrenaline, which is important, and, above all, is aware that it is creating pure cinema. Tones put it well when he talked about why he loved action movies: It is the only genuinely cinematic genre. I add that it is the most spectacular, the closest thing to an amusement park. And Wanted film exploits all existing resources into a film of ravishing beauty that could only be described as orgasmic. Is hyperbolic, almost by definition, not to from beginning to end. Nor am I surprised
comparisons with Matrix. Forget, Wanted plays in a different league, self-conscious of what is, so it's as cool and fun. Leaves the metaphysical, and even ironic about it when he says that destiny is written in fabric. And in the end, when finally spits out against it, in a hymn to individualism as sarcastic and angry. That
Wanted starring supervillains is necessary (although it is something that comes from the comic, of course), and not trivial. This is how you can compose an orchestra of violence, anger and ambiguity. The viewer accepts, without resignation, in the words of Minchinela, "enter into a fantasy that is not going anywhere," Hong Kong heiress (specifically John Woo), and make a final climactic scene as an example: Wesley enters headquarters of the brotherhood, which Chow Yun-fat, killing many villains who appear from nowhere and bursting in the crossfire, the same intensity and use of more sophisticated bullet time. Definitely, Timur Bekmambetov's film ends up as another subversive cinematic fable of our times.
