Metal Taste In My Mount After Wisdom Teeth

The Nova Hall will reopen at Christmas, when most bloggers decided to take a vacation, I decided to give the accelerator at least for a few days. A counter, which is how we like to live life at times.

And, finally, a sample of what we will talk soon:

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Coming Summer

Noel, another year has again organized a wonderful special week of Halloween. As usual, allowed readers can work with a text. The theme of this year was "My Love Horror." Here is my humble contribution:

Ellen Page in Hard Candy

While the film was inadequate in many respects, Ellen Page was, in fact, the highlight of it. Under the guise of naive but sophisticated teenage lover, uh, delicious chocolate cakes, lay a red riding hood had learned to reverse the move of the wolf, and become a sweet and avenging evil: Its apparent condescension to the final man that torture is revealed as the most perfidious and cruel plan possible. A false redemption. For their ruthlessness, intelligence and beauty pubescent gets to be my choice.

But what the hell ...

Let's face it go. It was your fault, Ellen. Never had chosen the absolute queen of my Halloween if I'd called trembling, tricked at your course candor. You came to my house so eager to Eros and Thanatos in Greek mythology only be compared with the night you spent in my cubicle London, which was mutated in the city of the living dead. That night remain in my memory a ghost your masterpiece: Your clothes bloodied and twisted and sardonic smile that stabbed me while I was sent to Hell. Happy Halloween

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Fresán

This summer will be remembered for server particularly relevant for two reasons: First, and most importantly, more personal and the second is the initiation into the universe strawberry, the first author I can say that his book speaks more to my sensibilities of what could express myself.

1. Both Kensington Gardens and Life of Saints contains a sensitivity characteristic marked by an increasingly defined style, Baroque and hallucinations, which seem to meet the debug standby (or mental) of all tastes from the author. If Borges was the result of the books read, Strawberry is just that and, according to the postmodern sensibility, is also the result of all their cultural preferences assimilated: Fresán engenders a narrative device, a universe in constant change (which takes its stories Sad Songs name) where introduced. Thus, a clear example would be to Kensington Gardens where you can see how the song A day in the life of The Beatles, which seems to make the story he was given the hand next to the songs of The Kinks.

2. Before its baroque marked characteristic product of the constant use of his digressions which, after all, is the hallmark of that brand of strawberry. In the stories of strawberries, and speak more to life watching Santos Kensington Gardens, the story is told just dirtied by the narrator's digression, while at the same time becomes what defines the personality of its own character / narrator each story. Already Fresán himself says in an article on its own style " certain key absences are the watchwords as or more that certain recurring and similar occurrences "

3. In Vida de Santos, his second novel, is a common factor in the theme of every story: the earthly religion as an excuse to believe in something they think important, a care plan and perfect. The characters are lost sheep, with a special talent or some mental deformity, a fact that need to exorcise the past that marks great present. Remembering to forget: A form of catharsis. Perhaps the reason that most of the stories contain a sort of grim irony implicit in each sentence.

4.A of the greatest genius of the book lies in the originality with which it forms the narrative of some stories. In the excellent "The memory of all things"-the story about most in both substance and form to Kensington Gardens, Fresán mechanism makes his story as if it were to enter the palace of memory created by Ricci, mentioned in the story itself.

5. As in Kensington Gardens, it appears the shadow or the ghost of the narrative. The phantom according Fresán, you set in Kensington Gardens as

"Ghosts are not dead-alive, but living-dead. The power of your memory is installed in our present and the dead are brought before us in the most unexpected moments (...) The power of that memory is the food that nourishes the ghost. "

A halo that has remained elusive in the background, but still come and that reappears at the end hard to close the account (the ghost of the dead Llewellyn Davies family in Gardens Kensington that seem to be the reason that Peter committed suicide, according strawberry Life Jude Santos, who acts as ubiquitous secondary to star in the last story in the book). An example, in the words of Jude:

"Finally I speak for myself and not through the mouths and eyes dazzled with whom I met during these past two centuries"

6. final chapter is precisely that which has just to round out the book. Fresán seems to erect a metaphor for the narrative. Jude may be the alter ego of Fresán. Fresán has played with the reader the same way that Jude has played with players of all accounts with a fait great without revealing the truth behind it. Jude, then, is (change location per person) "Shadow in the shade within the shadow. The place where the various ingredients of the plot hook. " A beautiful metaphor for the narrator as predigitador. "Now go, now you do not see."

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Brief note on Bad Education

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Lost Flying Saucers


Bad Education, one of the last films that make up this final stage where Almodovar's film is revealing, each Once more, as an author with a narrative game more intelligent under the living stories of strong passions. Almodóvar returns to construct an intricate labertino full of mirrors that reveal precisely a tragic tale of obsessive love and terrible secrets.

Almódvovar-polyhedron made of a noir-melodrama, which looks askance at Vertigo (1959, Alfred Hitchcock), in which different voices are interspersed exposing the nature of history (the obsessive power of love) . Metafiction of the film takes care to explain to the protagonists themselves through the prism of narrative axis of history (Ignatius, its theoretical role). It is fair fiction which, in a way adulterated, can best express the grim reality that is. It is, therefore, so Bad Education becomes a jewel: its capacity to express a story with a much-touted base and turn it into a complex story where the story is multiplied as their characters are completing the dramatic story.

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The founding
'The Day the Earth (Robert Wise, 1951)' the alien, Klaatu, two humble communicated to mankind the necessity of bringing all nations of the earth and establish a agreement between them as a vital condition for survival of the earth. Wise's daring film had a message of peace and criticism of a government increasingly skeptical and interested in its destructiveness.

In Flying Saucers (Oscar Aibar, 2003) two especially clear nods to film Wise: The first is the idea of \u200b\u200bthe need to unite all nations of the world, the second is, directly, an explicit nod which becomes an alleged extraterrestrial message to the two human protagonists of the narrative. So far, a review may seem intimate, funny and devoid of alien 'Ultimatum to earth 'but that precisely is diametrically opposite: In' Flying Saucers' think of something similar to what would Jordi Costa about the short Domingo (Nacho Vigalondo, 2005) but in reverse, or even radical "that offset the wonder goal to trivial, from the cosmic to the private ." In the film Aibar always remains private but close to reaching out to the cosmic, never showing the cosmic. The search for the cosmic and evasion, as an adventure to escape from a heavy gray reality.

If 'The Day the Earth' had, as we said, criticizing a government destructive Flying Saucers contains a correlate of a Spain in the last years of Franco's oppression, still leave many dogmas and also with the United States at a particularly busy. The film emerges as an interesting and fun science fiction movie about aliens no extraterrestrial, where the deluded characters are based on a monotonous daily life into a galaxy where they hope to find the true purification.