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Batman: Mask of the Phantasm The Dark Knight

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"The Animated Series is a product of the nineties that transcends a very beautifully anachronistic spirit of belonging to a decade"

Alvy Singer.

SPOILERACOS

adapt the phrase of Alvy Singer for The Mask of the Phantom. Batman film by the creators of the animated series. It is time to rectify and I must say that now I do not think The Dark Knight the best Batman movie with this, but Mask of the Phantom is clearly superior in every way. Of course, ignores the realism and seriousness TDK fascia. But the ghost mask also is dark, melancholy, funny and deeper (by mistake trying, all told), without resorting to bombastic phrases, obvious metaphors emerging from the mouths of the actors as if they were poets TDK pochos or two hours and peak footage. Within an hour, The Mask of the Phantasm condenses more than TDK. I mean you get to have many of the things that TDK is proposed: Some origins of Batman who comes to question whether to become a vigilante or living with his girlfriend, a life without fear. Some sources counted by this pocho memories in a dark under expressionist aesthetic collection of the best that had Burton's Batman, and that without the viewer being aware, we are counting the other righteous origin, although its real definition is that of revenge. That is, the genesis of two vigilantes who fight the same but in different ways: When Batman forget to be an avenger, and think of it as just and righteous no murders, and The Phantom, the love of his life, is a vengeful killing anyone who killed his parents, who, at last, after all, is the same mob that Batman wants to dismantle. And in the end we are presented with something terrifying: Bruce Wayne is not intended to love, her destiny is to be Batman, while Andrea Beaumont is meant to mourn the death of his father without any support. Ghost Mask also plays the superhero theme and its relationship with society, the rejection that can occur, but does not affect too much on the subject. We have a guest star Joker, as perfect to a Batman villain chased by police and tried to regain the love of his life in a futuristic setting and left, paradoxically, was where Wayne and Beaumont spent one of his first moments idyllic. Now is the revelation of a future far worse. The film Timm, Dini y cia moves between references to the most exciting moments of primal Batman in Year 1 and Miller's own animated series. The movie is not perfect, far from it, but they are the basis for an excellent synchrony between action (superb action scenes in the movie: Since its first performance until it takes a while to be Batman), melancholy and clever references, something for which Nolan needs to feel smart to listen to their dialogues: The worst thing is that the public will accept to be told to your face without no respect.

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One of the things I discovered watching The Dark Knight is so pathetic and silly that is its predecessor, Batman Begins, which saw its sequel and has no sense and still leaves more ridiculous: In Begins was a moral teaching and ten in each scene evidence, along with the melody of Hans Zimmer, the waste of Rha's Al Gul become an enforcer for Al-Qaeda or the performance of Katie Holmes and Rachel Dowes stupid, reached ridiculous levels-not to mention a few action scenes, ahem, that rather than disastrous ... nonexistent.

The Dark Knight is not a perfect film, nor is the definitive Batman movie, it's better with the animated Mask of the Phantasm, much higher than Begins, Scumacher and less than that of Burton (especially Batman Returns .) Its absurd and pompous caricature reappears, in less degree, but in the form of recurring metaphors underlined and Harvey Dent / Two-Face, as personified metaphor already crystal-on dramatic weight falls and ridiculous dialogue, along with a forgotten and lost to Alfred, though his initial approach is interesting ... until he becomes Two-Face. That may be the biggest mistake of The Dark Knight, which begins as a boring comic Jeph Loeb and Tim Sale, but redeems itself with a Joker who is the real star of the show.


Now the good, the movie is full of good ideas (attention to the BAT-POD!) Successfully carried out: A Heath Ledger Joker-A-perfect, away from the histrionics of Nicholson, much more wicked, funny, anarchic (could be Discordianism!) and son of a bitch. It's the Joker who unleashes unhealthy air, chaotic and black humor in the movie. There is in every scene its an interesting detail to point, especially his appearances on television perfidious and provocative. It is surprising that The Nolan Bros go against the whole course, so to speak, in your own Joker Begins: Eliminate a past to become a more enigmatic. The direction taken by the Joker TDK is excellent: Recreate, indeed, a society in chaos and a superhero, and his assistants, the edge of their physical and emotional limits, forced to devise a risky plan.

And yes, entertaining, something essential for a blockbuster superhero genre and more. Nolan has been good: The action scenes are longer and we can enjoy a beautiful Gotham, and we can even talk about intensity in major scenes like the first game against the Joker (although we still can speak of a genius level Bourne). Vibrant. Nevertheless, TDK continues with its irregularities and its cartoonish claims.

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Howling


"You can not tame the wild. Naturally"


She said one of the werewolves in the delirious and left end of the film directed by a young, and great shape, Joe Dante Sayles next to a state of grace after Piranha have written, again forming a team more effective with Dante. Let us say, may be the phrase that summarizes the values \u200b\u200bof the movie: Howls finds its strength and beauty in the brutality of a type of wolf hommbre too wild, depraved and emotional problems ....

Without taking any complacency with the audience and totally sour, which means not to allow distilled humor in almost all-repeat, Excellency-end, Howling begins almost as a giallo, or where it would start the final part of any thriller, but handled in a much more dreamy, when our hero is about the crazy stalking you. Dante gets in the first fifteen minutes serious summary later to find: brutality and perversion. On the one hand, the history, find us the story cited above: that of our famous attacked and starred with her husband, which marked the fifteen minutes to be the cause of the march to a village to do group therapy.

On the other hand, we have the most Hammer, that is, the parallel investigation of the case of our protagonist. The pair of journalists discover everything that surrounds the legend of werewolves. Which, inevitably, has to fall into squarely in history.

In Howling, the protagonists are helpless at their worst emotionally and as helpless it is impossible to work out the situation. There is another howling success, lack of compliance with the viewer who spoke before, apart from Dante keep a pulse knows scenes of werewolf attacks at any time without losing both the excitement and the spectacle. It's what leads me to remember, "call me crazy if you want! - Straw Dogs Sam Peckinpah, both in the pace of the narrative as the arrival of a marriage in a hostile community. Reference

, yes, you can banish Howling intelligently, and not merely the pure referentiality, but creates a new path with a werewolf and drawn as more powerful and as sect crazy. Special mention an ending so shocking and unforgettable: A transformation and death directly from the television. Howling defines also a good idea taken to extremes.