Wednesday, August 13, 2008

What Kind Of Scanner Do I Need To Make A Comic






One of the things I discovered watching The Dark Knight is so pathetic and silly that is its predecessor, Batman Begins, which saw its sequel and has no sense and still leaves more ridiculous: In Begins was a moral teaching and ten in each scene evidence, along with the melody of Hans Zimmer, the waste of Rha's Al Gul become an enforcer for Al-Qaeda or the performance of Katie Holmes and Rachel Dowes stupid, reached ridiculous levels-not to mention a few action scenes, ahem, that rather than disastrous ... nonexistent.

The Dark Knight is not a perfect film, nor is the definitive Batman movie, it's better with the animated Mask of the Phantasm, much higher than Begins, Scumacher and less than that of Burton (especially Batman Returns .) Its absurd and pompous caricature reappears, in less degree, but in the form of recurring metaphors underlined and Harvey Dent / Two-Face, as personified metaphor already crystal-on dramatic weight falls and ridiculous dialogue, along with a forgotten and lost to Alfred, though his initial approach is interesting ... until he becomes Two-Face. That may be the biggest mistake of The Dark Knight, which begins as a boring comic Jeph Loeb and Tim Sale, but redeems itself with a Joker who is the real star of the show.


Now the good, the movie is full of good ideas (attention to the BAT-POD!) Successfully carried out: A Heath Ledger Joker-A-perfect, away from the histrionics of Nicholson, much more wicked, funny, anarchic (could be Discordianism!) and son of a bitch. It's the Joker who unleashes unhealthy air, chaotic and black humor in the movie. There is in every scene its an interesting detail to point, especially his appearances on television perfidious and provocative. It is surprising that The Nolan Bros go against the whole course, so to speak, in your own Joker Begins: Eliminate a past to become a more enigmatic. The direction taken by the Joker TDK is excellent: Recreate, indeed, a society in chaos and a superhero, and his assistants, the edge of their physical and emotional limits, forced to devise a risky plan.

And yes, entertaining, something essential for a blockbuster superhero genre and more. Nolan has been good: The action scenes are longer and we can enjoy a beautiful Gotham, and we can even talk about intensity in major scenes like the first game against the Joker (although we still can speak of a genius level Bourne). Vibrant. Nevertheless, TDK continues with its irregularities and its cartoonish claims.

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