The founding 'The Day the Earth (Robert Wise, 1951)' the alien, Klaatu, two humble communicated to mankind the necessity of bringing all nations of the earth and establish a agreement between them as a vital condition for survival of the earth. Wise's daring film had a message of peace and criticism of a government increasingly skeptical and interested in its destructiveness.
In Flying Saucers (Oscar Aibar, 2003) two especially clear nods to film Wise: The first is the idea of \u200b\u200bthe need to unite all nations of the world, the second is, directly, an explicit nod which becomes an alleged extraterrestrial message to the two human protagonists of the narrative. So far, a review may seem intimate, funny and devoid of alien 'Ultimatum to earth 'but that precisely is diametrically opposite: In' Flying Saucers' think of something similar to what would Jordi Costa about the short Domingo (Nacho Vigalondo, 2005) but in reverse, or even radical "that offset the wonder goal to trivial, from the cosmic to the private ." In the film Aibar always remains private but close to reaching out to the cosmic, never showing the cosmic. The search for the cosmic and evasion, as an adventure to escape from a heavy gray reality.
If 'The Day the Earth' had, as we said, criticizing a government destructive Flying Saucers contains a correlate of a Spain in the last years of Franco's oppression, still leave many dogmas and also with the United States at a particularly busy. The film emerges as an interesting and fun science fiction movie about aliens no extraterrestrial, where the deluded characters are based on a monotonous daily life into a galaxy where they hope to find the true purification.
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