Bad Education, one of the last films that make up this final stage where Almodovar's film is revealing, each Once more, as an author with a narrative game more intelligent under the living stories of strong passions. Almodóvar returns to construct an intricate labertino full of mirrors that reveal precisely a tragic tale of obsessive love and terrible secrets.
Almódvovar-polyhedron made of a noir-melodrama, which looks askance at Vertigo (1959, Alfred Hitchcock), in which different voices are interspersed exposing the nature of history (the obsessive power of love) . Metafiction of the film takes care to explain to the protagonists themselves through the prism of narrative axis of history (Ignatius, its theoretical role). It is fair fiction which, in a way adulterated, can best express the grim reality that is. It is, therefore, so Bad Education becomes a jewel: its capacity to express a story with a much-touted base and turn it into a complex story where the story is multiplied as their characters are completing the dramatic story.
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