In Superbad, Seth Rogen and Evan Goldberg were in charge of building a teen comedy from the epic that is to buy alcohol underage. The whole plot revolved around it, the problems that were generated during an evening, one after another, until the end. The story became a buddy movie, and we found two parallel sides, the two best friends, and the police colleague and complementing each other with higher doses of madness. Under this, there is a true comedy about friendship but, after all, also on the need to be accepted by others. Pineapple Express
repeated writing staff, among other things, but above all, repeat the same pattern of Superbad. The story turns back on a specific event that triggers a series of comic action but, if Superbad was to blame for everything that comes with being a teenager in Pineapple Express is immaturity, fear to face the problems of face. The fear of leaving the marijuana, the fear of losing happiness.
But let's focus on what really makes Pineapple Express is equal to the other side of the usual Apatow factory products, and who, incidentally, is confirmed as an excellent comedy: This slapstick performed by a perfect partner who smoked expands to the absolute limits, and every shot is always dry and rough than the last. Special mention is the construction of the trio that exploits all its virtues as a comic.
Definitely, David Gordon Green's film is not far from perfect. Its end is dilated to lose pace and fury. Something that the film is already suffering in these times dead in which the effects of marijuana seem to relax and do not quite know where to go.
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